Posts Tagged ‘ write ’

My Writing – Update

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As I mentioned in the last post, I finally have an idea in the works for a novel but this isn’t my only success recently.

The short story – “La Morte de La Résistance” that Almond Press highly commended has been available on kindle in “Fall” and it has received some lovely reviews. Please feel free to check it out – it’s not too expensive! (Holly Ice’s Story).

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In line with this, I’ve updated my about me page: Holly Ice’s writing.
I now have an Amazon author page, too!

Let me know what you like and if anything can be improved.

I also have a few more projects in the works. 10am Monday is the deadline for the BBC Story Award. As I have had things published, I intend to enter with a magical realism story.

Here’s a little snippet:

In this world, all men are born with antlers and knock horns for girls. It’s a femme fatale in the sense that the protagonist really does not like getting played and used as a one night stand.

If you’ve had something published, I highly suggest you enter, too. £15,000 to the winner, £3,000 to the runner up and three lots of £500 to the next three shortlisted. That’s good money for a free to enter competition!

Two anthologies also have deadlines on the horizon – The Alchemy Press and Newcon Press. I intend to enter the Urban Mythic anthology with a story based on an on Scottish fairy tale and modernized to city life rather than rural farms.

I have a few more stories on the burner I’ve yet to place, too.

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As I mentioned in the previous post, myth, legend (and even ghost stories) can be great inspiration. Let me know if there are any stories you want to share!

My friends will tell you I usually jump a mile at anything jumpy and can get really scared BUT my friend and I have a solution – a beautiful den! (Remember those from when you were little? I highly recommend it to counteract the chills!)

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As always, my twitter: Holly Emma Ice
And, again for ease of finding, my about me page: Holly’s writing.

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The Inspiration of Myth & “King” Arthur

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The last few months I’ve been reading up on myth and legend. They’ve given me some great ideas for stories but not just as-is. In an altered format, they can create something original and (hopefully) brilliant.

I’ve learnt writers cannot be afraid to change things: this is our job. The world as it comes to us is not always suitable for a retelling – bits may need rearranging, adding, subtracting…but let’s not get into the realm of maths here: we’re creatives after all.

Also, do not be afraid to take a tale like Cinderella or Thumbelina and make it contemporary, change the sex of characters, or setting, or emphasis. If you make this decision in order to create a new story, don’t be afraid to leave it unique!

Put in new names, clothes, etc! Let it be new, let the inspiration, the myth or tale that spawned your story, disappear. It will still be an influence or a starting point but your reader doesn’t necessarily need to know it was for you to have a great story.

As a last little tip to those who want to go further and learn more while they’re at it: unpick the myth. Find the meaning of the names, the places and their significance. Find where or how the myth started, whether it is based on fact or legend or religion.

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I’ve found in my exploration of the King Arthur legends that Arthur was not historical at all but a myth which is first mentioned in welsh poetry. The discovery of these early mentions created a whole new vision of Arthur – a man of the Otherworld, fae, faerie, enchantresses, giants and the supernatural. He is still a hero fighting off bad forces for Britain but these are supernatural rather than historical forces.

Based on this research, I actually have a novel idea in the brewing stages. A novel where Arthur is a crime fighter of the supernatural world, once he is awaken. I’ve bought books on the Celts and Arthur in order for other titbits of Celtic religion and myth to inspire me in this project.

So, I know it sounds kind of boring…but research can be fun! The Arthur research was a mix of documentary-like reading  and old, bard-like tales of the unbeatable warrior.

Some of these old texts are very accessible and actually very enjoyable! I laughed aloud at a few and *may* have found the original inspiration for The Hulk!

Hope this helps those stuck with writer’s block. Anything on the page in a first draft is the first step!

And, as always, feel free to follow me on twitter.

My publications to date: About Holly Ice

My new Amazon profile: Holly Ice

Inspiration to Writing

I mentioned many days ago in my Pen’s Catalyst post that I have many folders of pictures on my computer. These are separated into “funny”, “animals”, “landscapes” and “people”. The two that are most useful for writing are, of course, people and landscapes. Before writing this I counted how many pictures I had in each of these folders. The landscape folder has 446 and the people folder has 116.

This discrepancy perhaps says it’s hard to find characters you like or interesting portrait shots. However, my landscape shots tend to have a lot of pictures within them that aren’t strictly landscapes, too. This ups the total.

Below is a sampling of my people folder.

As you can see, I seem to trend toward black and white photographs. I’ve always had a love for them so I’m not sure if this is just preference of the timeless and placeless quality of them.

The main point of having all these pictures in a folder is to inspire me. Sometimes I look through the pictures and don’t do anything. Sometimes I’m just fascinated by the colours and compositions. This may be the old artist in me or it may be the subconscious mind gearing up to a new idea. Who knows, who cares; the main thing is the pictures improve my mood and, sometimes, get me thinking, too.

  1. There are many ideas in these pictures. The first one for example: is it a girl or a boy? Are they running over rooftops or jumping over a wooden wall on the beach? Is it a war zone or an industrial area? Are they a thief of in costume? Playing a game or poor?
  2. The second picture shows my love for eccentric individuals. There’s so much you can ask about this guy and what he’s doing, where he’s going. He’s one big enigma caught in a photograph that I can play with in my mind like a riddle.
  3. The third picture is similar in this way. Only, here, it also gets me thinking about how I can use objects in different ways and create a new world with new values and preoccupations.
  4. The fourth picture is in colour, showing I do like colour after all! But, it also makes me think better of mankind. There is a contrast of one man saving food and material belongings and the other being, in my eyes, a winner, as he saves some beautiful little tabbies from the horrid water. News stories can often be great for these sorts of shots.
  5. The fifth picture is a bit weird. It did what a lot of pictures do in my folders: it caught my eye and wouldn’t let me forget about it. I always save these pictures. They somehow prevent me from scrolling on by. That’s good. You should save them to. What makes a wandering net surfer stop, will almost definitely make a reader pause in wonder, too.
  6. In the next picture I love the colour and bleakness of the landscape. It’s one of the shots that has blurred boundaries. It could easily have gone in either the people or the landscape folder. Sometimes I put pictures in both when they’re really blurred so I can always find them when it may be what I’m looking for. This picture tells a story in the still. Is she suicidal? Why? Is she playing with balance? Is she copying someone she’s seen before? Is she a ghost? What does her face look like? The questions just keep rolling.
  7. Now, this man in the city is also very interesting. His shoulders are hunched in. Is it cold? His expression is very ambiguous. Is he happy, crafty, miserable? The blackness of him in the landscape amplifies his character, too. He’s important in some way. It makes me yearn to create a world for him, a day and a story.
  8. The last guy is just like a song turned to a photo. He’s peddling an instrument home on a bike. It screams France to me. It’s also pretty surreal. There’s no discernible building anywhere near him. So many stories could be made from him or using him as a metaphor. Perhaps someone is taking something else ridiculously big home or riding into nothing?

Now here’s a sample of the pictures in my landscapes folder…

There are all sorts of pictures here from the surrealist art to the natural shot of a landscape. They are all useful to writing. Perhaps the bedroom tells you what a character is like, the sort of house they live in. Perhaps a beach starts a love story or a castle a failed siege? Landscapes can be used as much as objects and outfits to create a character, too. Perhaps your Charlotte has the temper of an ocean or is as flexible in ideas as sand. These pictures span a swath of ages and genres to me. They have many different associations and yet are all in the same folder.

My advice is to create a similar folder. You have been told, I’m sure, to have a notebook. This is your digital image inspiration book. Keep it fresh and keep adding to it.

For somewhere to get you started, this forum thread is where I get a lot of my pictures. (You don’t always have to do all the work! Sometimes people with similar taste have done some compiling for you!) INFP Forum Post  .

Now for the writing exercise!

  1. Grab a pen and notepad or a computer and blank document.
  2. Pick any pair of person and landscape and think about a short story or a poem including them both. The landscape doesn’t have to be the setting. It can inform their character. Similarly, the person doesn’t actually have to appear in the setting. Their qualities can be like a ghost in the landscape or the voice of the person describing the landscape. Give it a go!
  3. If you feel adventurous, feel free to add an extra person or landscape to the story. Maybe there’s a whole novel in there somewhere if someone can connect the dots!

Good luck and tell me what you get up to here or here!

Fish or Beef? Family and Taste.

We all know family changes us. There’s the big nature/nurture argument to go with it. What if our ancestry, our genes, does too?

The three pictures of forests spread throughout this post, for example, show the diversity of life even within one snapshot of forest. Place effects story and lives so much. Don’t forget if your story is based in cold climates to make it snow in winter or in wet climates to have swampy areas etc. Think about how these climates affect lifestyles, too; do they swim, canoe, ski, snowboard, travel, hitch-hike, rock climb?

Place is more important than you think. I read a book last year: Who’s your city? by Richard Florida. The idea is that certain qualities in people such as creativeness, liberalism, traditional etc will draw people to certain areas where these qualities are popular and centralised. It makes for an interesting read and some videos can be found online that talk about it. I read it as a: where should I live? Where would I like?

These qualities, if in the wrong amounts for your character, can, of course, create a lot of great tension in a piece. It’s worth experimenting with!

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Many families don’t know much of their history, at least not beyond grandparents. This can be where you find out who you really are. I’m not plugging any ancestry sites – usually the best information is on site anyway – but perhaps there are some places you can get started.

Personally, I know my grandfather was Latvian. I’ve looked into their culture, their way of life, and realised a lot of it I’d picked up without ever going there. From an incredibly young age I’ve loved anything pickled and vinegary. I thought, and still do think, that it is sweet. In Latvia dishes like sauerkraut and verrry vinegary fish are common place.

I also love potatoes and prefer chicken to beef. I also absolutely love fish. A lot of these things are popular or usual in Latvia, too.

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Perhaps it would be useful to get into your own histories to find a story. I’m thinking of writing a novel based in Latvia so perhaps there is a whole story of injustice, love or adventure hiding in your past too, whatever origin you may have.

If not, at least this might give you ideas about how to portray characters from other cultures: often they’ll pick up some, if not all, of the likes and taste, even if they never lived there.

Character: My Credentials.

Or something like that…

I have a little success story to report! I have won the October competition run by The Literary Consultancy on their facebook page to describe a character in three sentences based on the Diderot painting above.

I have received an analysis of my entry by Rebecca Swift and my writing is showcased in a post atop their facebook page . I’m very thankful for the recognition.

For those interested, this is what I wrote:

“Peteris was the shy, shuffling type that walked through squares with his eyes to the cobbles but, once home, sat dreaming through dark windows. He was a stable, dependable chap that was often called upon to fix watches, sketch portraits or thread a woman-friend’s needle. He never spoke an unneeded word.”

Please tell me what you think and maybe try your hand at the premise of the competition. I’d love to see what you come up with!

“Mummy, where’s the sky gone?” (World Creation).

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Many of us more fantasy aligned types have thought about or actually tried to create a new world in a story to varying degrees of success.

So, I will explore: What makes a strong world?

  • Rules.

Yes, yes. World creation is all about imagination, fun. There are no rules! But, there are. Sorry. A world is only chaotic to a point.

There needs to be some degree of consistency. For example, in Laurell K Hamilton’s books werecreatures, vampires and many other types of creature of the night/day and known to the general public.

This is a pretty popular idea. What makes it good is that society changes. The rules change to accommodate this change in history:

Parents don’t want their children to be taught by werecreatures in case they are infected somehow by blood to blood contact. (The usual parent overprotection).

Necromancers are employed to reanimate the dead to sort arguments over their wills or verify how they died for insurance companies.

But this isn’t all. These supernaturals aren’t gods.
– They can be killed.
– Zombies can only be raised for a day before they rot.

There are LIMITATIONS to their powers. Every character you write about needs limitations, be it inside a new world or our own.

These limitations also go toward the next condition of a good world:

  • Realism.

How many times has there been a big bad vampire who hates mankind and suddenly falls in love, seemingly at the drop of a hat, with a rather stupid (and very young) human?

Think about it. It wouldn’t happen. The years a vampire would have on the young human would make them boring, if attractive. A vampire jaded for so many years would be more likely to eat/fuck them than start a relationship.

Even if you don’t talk about vampires, or have a bad guy…humans can’t live on lava without protective systems in place. Magic doesn’t come out of nowhere. It lives in the genes or radiation or alien experiments. Or, humans have always had it perhaps but it doesn’t come out of nowhere!

Part of realism is also good description. A good world cannot be created without a good idea of what it looks like. However, one caveat: don’t go overboard! The amount of fantasy stories I’ve tried to read which start straight off the bat with new words I’ve never seen and names with too many apostrophes…it doesn’t bear thinking about.

My advice: start simple. Bring your audience into a new world slowly. Let them acclimatise. Show them one or two things at a time. Don’t use too many new words too quickly. Be kind to your reader or they’ll throw your book across the room. (Or click that big nasty red X in the top right hand corner of their screen).

Now for the next big condition.

  • Originality.

This doesn’t mean vampires, angels and fairies aren’t allowed. It means find a new angle. Talk about them in a new way. Find an aspect that hasn’t been explored. Turn stereotypes on their head.

Talk about evil angels, vampires in the circus, tamed by humans, fairies that live in parrot cages in the front room of every home. Come up with something new (but interesting)!

Novelty sells, if it’s good.

One big problem writers have with fantasy writing is…

  • Character.

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Writers get so wound up and lovingly intertwined with their new world that they forget about the people in it. Here’s what I view to be the most important thing with new worlds and fantasy: we have to relate.

It’s not as hard as it sounds. Yes, you have a new world, something never seen or heard of before. Maybe the people have two heads, eight legs or maybe they’re telepathic; it doesn’t matter. They still need elements of humanity, on the inside.

This can be many things: clumsiness, an ability to anally organise their whole life, a fear of the dark, vanity… There are so many examples!

This is important: without relateability, your readers won’t like your story. If the main character isn’t like them or their friends or their enemies, if the story in some way doesn’t help explain their world, they won’t read your story.

The last and probably most important condition I can think of is:

  • Freedom.

You have to be free as a writer to create a world. Umbrellas don’t exist, seas don’t exist, monogamous sex doesn’t exist. Don’t think about what others may think of your story or if they’ll judge you.

No matter what you write, hell even if you don’t write, people will judge you. That’s life. This is writing. Get over it.

Even big writers like Stephen King get hate mail on a weekly basis.

So what? He still sells. His books are still read. He has lots of money.

As a writer you have to be prepared to write badly (this is what edits and rewrites are for – or that very useful recycling bin). You have to be prepared to put the preposterous onto paper.
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Maybe sex gives a person the memories of their partner. Maybe sex swaps consciousnesses of people so sex must be had in sets of two? Maybe hair colour is changeable at will?

It’s for you to decide. It’s for you to come up with the consequences in your world.

And, for god’s sake, it doesn’t reflect on you (or shouldn’t). What your characters do and say should be about their personalities, not yours. That’s what a good reader would see. That’s what a good story does – it takes you on a journey through imagined lives and, perhaps, imagined worlds.

All the pictures featured here are by surrealist painters. Surrealism is your best friend.

Here are the links to the galleries of the two artists featured:
http://vladimirkush.com/
http://kukowski.pl/
Some artistic nudity is present.

Please feel free to explore their sites and enjoy their talent.

As usual, I can be found on twitter, too. Look here: Me
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