Posts Tagged ‘ realistic ’

A Touch of Magic – M. Ruth Myers – Cards, Romance, Murder

A Touch of Magic, M. Ruth Myers, Holly Ice Review, author, book, romance, murder, cardsA dazzling sleight-of-hand artist is recruited by the State Department to pit her skills – and wits – against a master terrorist. He’s about to receive a piece of stolen film used to make US passports, film that could open the door to terrorists around the world. Although Channing Stuart is the fourth generation in a family of acclaimed magicians, she’s the first of them not to turn pro. Eye-to-eye with a killer, will she have the nerve and nimbleness to pull off a switch that finally proves her worthy of her bloodline? Special agent Bill Ellery is irritated to find himself suddenly teamed with this amateur whose passion to succeed is as great as his own, and whose penchant for the unpredictable unsettles him as much as the woman herself.

In an upscale resort where every enticement hides a trap, they play cat and mouse with enemies known and unknown as a time bomb ticks. Hundreds of lives depend on the deftness of one woman’s fingers and … A TOUCH OF MAGIC.

This was a good read. It had romance, intrigue, some cool magic tricks, family angst and some great characters. The plot was also good although I think the female villain could have done with a little more filling out.

There was nothing overall wrong with the story really and yet I still felt it was missing something. I was not left with much after reading it and I think I should have been. Some thought or feeling should have remained: it usually does with a great book.

Perhaps I wanted more of a conclusion on the romantic side, something cuter, or perhaps I wanted to know what happened with the terrorists – whether good triumphed once and for all.

Of course, this could well be the point. I myself am a lover of grey, where the realistic side of the world creeps into books: the villain doesn’t always lose and the good guy doesn’t win every battle; not everything is solved in one book.

There were some surprises and great twists as well as sleuth work, time-focused problems and murder, all trademarks of a good thriller.

Ultimately, the book kept me interested despite me wanting some undefinable more out of it. Since I can’t define this, despite trying, I’m giving the book a 4/5.

This seems to be a rather popular score for me at the moment!

The book can be found here

Here’s hoping I find a 5/5 soon. Suggestions welcome.

My twitter: Holly Ice

Off to read some more now 🙂

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“Mummy, where’s the sky gone?” (World Creation).

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Many of us more fantasy aligned types have thought about or actually tried to create a new world in a story to varying degrees of success.

So, I will explore: What makes a strong world?

  • Rules.

Yes, yes. World creation is all about imagination, fun. There are no rules! But, there are. Sorry. A world is only chaotic to a point.

There needs to be some degree of consistency. For example, in Laurell K Hamilton’s books werecreatures, vampires and many other types of creature of the night/day and known to the general public.

This is a pretty popular idea. What makes it good is that society changes. The rules change to accommodate this change in history:

Parents don’t want their children to be taught by werecreatures in case they are infected somehow by blood to blood contact. (The usual parent overprotection).

Necromancers are employed to reanimate the dead to sort arguments over their wills or verify how they died for insurance companies.

But this isn’t all. These supernaturals aren’t gods.
– They can be killed.
– Zombies can only be raised for a day before they rot.

There are LIMITATIONS to their powers. Every character you write about needs limitations, be it inside a new world or our own.

These limitations also go toward the next condition of a good world:

  • Realism.

How many times has there been a big bad vampire who hates mankind and suddenly falls in love, seemingly at the drop of a hat, with a rather stupid (and very young) human?

Think about it. It wouldn’t happen. The years a vampire would have on the young human would make them boring, if attractive. A vampire jaded for so many years would be more likely to eat/fuck them than start a relationship.

Even if you don’t talk about vampires, or have a bad guy…humans can’t live on lava without protective systems in place. Magic doesn’t come out of nowhere. It lives in the genes or radiation or alien experiments. Or, humans have always had it perhaps but it doesn’t come out of nowhere!

Part of realism is also good description. A good world cannot be created without a good idea of what it looks like. However, one caveat: don’t go overboard! The amount of fantasy stories I’ve tried to read which start straight off the bat with new words I’ve never seen and names with too many apostrophes…it doesn’t bear thinking about.

My advice: start simple. Bring your audience into a new world slowly. Let them acclimatise. Show them one or two things at a time. Don’t use too many new words too quickly. Be kind to your reader or they’ll throw your book across the room. (Or click that big nasty red X in the top right hand corner of their screen).

Now for the next big condition.

  • Originality.

This doesn’t mean vampires, angels and fairies aren’t allowed. It means find a new angle. Talk about them in a new way. Find an aspect that hasn’t been explored. Turn stereotypes on their head.

Talk about evil angels, vampires in the circus, tamed by humans, fairies that live in parrot cages in the front room of every home. Come up with something new (but interesting)!

Novelty sells, if it’s good.

One big problem writers have with fantasy writing is…

  • Character.

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Writers get so wound up and lovingly intertwined with their new world that they forget about the people in it. Here’s what I view to be the most important thing with new worlds and fantasy: we have to relate.

It’s not as hard as it sounds. Yes, you have a new world, something never seen or heard of before. Maybe the people have two heads, eight legs or maybe they’re telepathic; it doesn’t matter. They still need elements of humanity, on the inside.

This can be many things: clumsiness, an ability to anally organise their whole life, a fear of the dark, vanity… There are so many examples!

This is important: without relateability, your readers won’t like your story. If the main character isn’t like them or their friends or their enemies, if the story in some way doesn’t help explain their world, they won’t read your story.

The last and probably most important condition I can think of is:

  • Freedom.

You have to be free as a writer to create a world. Umbrellas don’t exist, seas don’t exist, monogamous sex doesn’t exist. Don’t think about what others may think of your story or if they’ll judge you.

No matter what you write, hell even if you don’t write, people will judge you. That’s life. This is writing. Get over it.

Even big writers like Stephen King get hate mail on a weekly basis.

So what? He still sells. His books are still read. He has lots of money.

As a writer you have to be prepared to write badly (this is what edits and rewrites are for – or that very useful recycling bin). You have to be prepared to put the preposterous onto paper.
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Maybe sex gives a person the memories of their partner. Maybe sex swaps consciousnesses of people so sex must be had in sets of two? Maybe hair colour is changeable at will?

It’s for you to decide. It’s for you to come up with the consequences in your world.

And, for god’s sake, it doesn’t reflect on you (or shouldn’t). What your characters do and say should be about their personalities, not yours. That’s what a good reader would see. That’s what a good story does – it takes you on a journey through imagined lives and, perhaps, imagined worlds.

All the pictures featured here are by surrealist painters. Surrealism is your best friend.

Here are the links to the galleries of the two artists featured:
http://vladimirkush.com/
http://kukowski.pl/
Some artistic nudity is present.

Please feel free to explore their sites and enjoy their talent.

As usual, I can be found on twitter, too. Look here: Me
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